By turns evoking the spectral scene of Heinrich von Kleist’s marionette theatre and confronting what Tavia Nyong’o refers to as being the “failed humor” in the ceramic figurine’s “racist kitsch,” Organ Player aestheticizes the intertwined romantic relationship among race, subjectivity, and grace. As the doll’s body composes itself, at what https://hectorkkhfz.shivawiki.com/7551890/the_keyboard_player_diaries